Date night

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Once upon a time, a trance-party princess skittered gleefully through the just lightening streets of London, tangles of lasciviousness and spilt beer sticky in her wake. Dawn had heralded ejection from the womb-warm pulse of an underground club and goddammit she needed a coffee. Bar Italia was a welcome embrace, breathing the rich scent of peppery coffee, spilt sugar, woodbines and raucous laughter into her life.

Described as a “Soho grotto, which keeps safe the city’s sacred heart… an idyll in a concrete jungle corroded by a vacuous modernity” (Huffington Post), Bar Italia is proudly family owned – since 1949 – and is a mecca for the tired, the wired, the thirsty and the dispossessed, a blazing beacon of London’s nighttime economy.

Perhaps Bar Italia is code for cool, but it turns out that The Cowboy has been taking his dates to Norton Street’s Bar Italia for countless years. And while this dogged diner is no late-night London hero, it is as loved by the masses.

It’s also worth pointing out that I was the final date and will remain so (if he values his mascarpone)…

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These days, hot dates include the Tin Lid, who has come prepared with gelato-destroying ninja positions,

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A cash-only, chipped-paint, crazy-paving lino’ed institution amidst the chrome and Chinotto of Leichhardt, Bar Italia is set like a derelict molar in a snicker of shiny teeth. But that is what makes it so irresistible – like meat cooked in wine and cream, hot whisky, cold soup and wagon wheels – nostalgia seeping from the cracks in the walls, the past staunchly refusing to pass.

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A sign reads No Soy Light or Skim Milk; another spells out the specials, complete with pink sauce:

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The queue we join snakes in agitation from the till, the Bar already full of just-courting couples and old flames, Italian mobsters, sequinned queens, families with frills of kids who chirp and bicker, and a bag lady, complete with bags. Long-uncool agitprop, free postcards and Jimmy Cliff posters peer down on heads bent over steaming bowls of pasta, chatter streaming from smiling lips, the air fugged with garlicky steam.

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First opened in 1952, when life was simpler, Bar Italia caters to a loyal crowd that demands nothing more than no nonsense trattoria fare.

We ordered the same as always, the spicy salty-sweet tang of puttanesca for her, creamy green al frumuto for him, with a tumble of hot chips for the kiddo. There is much debate about the avocado dish the Cowboy demands, stripped as it has been from the menu. Did it ever exist? Has he lost his mind? The barista calmly writes down what can be remembered and shushes us to our seats.

Utilitarian school dinner-esque meals arrive in minutes, as if by ESP, with seemingly no identification where the diner is seated required by harried damp-haired staff.

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Slouched against landscaped stucco, an acre of badly written braille, brandishing all the implements you could need, we are silenced.

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A print of The Last Supper looks down benignly from one wall, a flatscreen howls on mute from the other; both are ignored. Diners are turned over like cheap steak, a steady thrum through a squeaking door. Turbulents of air bully for space, the cold front from the street at war with the hot and sultry steam from the kitchen.

A squabble of council workers in high vis head for the garden out the back. In summer it is a foodies romp, lush with plants and lingering smoke, the clatter of catering hushed by soft warm air. Tonight, it is wind riven and bleak, though the crowds are here too, clustered behind the plastic curtains:

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A lady glides by in blunnies, thick socks and a gypsy skirt: she knows what she wants, a bowl of melanzane alla parmigiana and to be left alone. A curt ‘grazie’ is all she utters – the rest is already understood.

The Cowboy becomes agitated towards the end of his tagliatelle, a thought clearly forming in his mind. It is the Tiramisu Thought, widely acknowledged as being largely stultifying until dealt with. And it goes like this:

I wonder if there’s enough tiramisu? I mean, the place is packed… what if it’s run out? I ate quickly: I got here early: surely they have to have enough? Right? Anyone? The queue is getting longer…

His attention is drawn to the softly spoken melee at the till: an old fella with a determined gaze is asking for a profiterole:

Hey, mate, you want this one? It’s the best one, it’s got tiramisu all over it! You get two dessert for the price of one eh?!… You don’t want that one? That special one? You no want tiramisu? What you mean?

OK, OK, now just a coffee, no worries mate, I can do.

(silence)

What, you want me to guess what sorta coffee you want too?

(insert vociferous Italian cursing and the sort of gesticulation that would put a flaming orangutan to shame)

The Cowboy springs into action and trots up to the discarded tiramisu, retrieving it and cradling it lovingly in his arms until it is polite to devour it. The Tin Lid insists on gelato. Tiramisu gelato…

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And I am content to wander through the guts of the place, and breathe in the last sixty-three years. Garlic, Vittoria, Napoli, biscotti, and burnt sugar, it is the scent of a loud, passionate and provincial dedication to rustic Italian cooking, and it is smeared generously through the air.

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And having waged war with the gelato and won, the Tin Lid executes a series of winning ninja moves before we head home in the cold, bellies brimming.

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K-O’d

The soft cadence of the names that spill from the buildings in Punchbowl are lulling, Alafrah, Mervat, Baalbeck, Dounya, Sallam and Safadi, Akkaaoui, Kheir, Al-Nour, Alsati, Hamze, Khassoum & Moujalli.

This lilting vernacular weaves a cocoon of exoticism, evoking far-flung lands rich in  Byzantine and Assyrian glory, an other-worldly intrigue, of a people swathed in fabric, the scent of wooded spice, jasmine, cedar and pine on their skin.

In reality this weary suburb lacks the ornate promise of this rich ancestry. The roads spill with snarling traffic yet the shops are empty. The surge of noise that catapults around the corners is the grinding screech of movement, trucks, buses, low-slung WRXs and souped-up trolleys trailing angst and piloted by surly teens. The swarm of sound is only tamed by suburban streets that swallow it whole, choking it down into bellies aching with interference.

The air is soupy, a mix of bitter coffee, tar, rose water, cement and heavy pollution. It is a sickening mix and we retreat into the backstreets for a different perspective.

Here, life takes a laid-back approach. A bare-metal car snoozes peacefully beneath a tarp, heavy sun shutters droop contentedly and paint pots line up excitedly at the prospect of a little home improvement:

Beneath a stately power pylon, all gangly limbs and proud purpose, Arabic inscribed Christmas decorations either linger a little too long or are a touch presumptuous, and the beautiful face of the local independent stares confidently out of a green-hued placard calling for True Blue representation. The streets are tired but wide, threadbare lawns are kept shorn and windows sparkle, eyes peeping out at the world from behind every twitching lace curtain. This is the partially covered face of the proud Lebanese community that calls Punchbowl its own.

Soon though, the cool, garlicky calm of Jasmin 1 hauls us in from the sticky asphalt. The walls are alive with frenetic frescoes and gilt-edged back-lit inverted domes, a psychedelic renovation in honour of a Mediterranean homeland thick with Cedar trees, crumbling antiquity and camels, though everything else has a clean simplicity.

Frankly, Michelangelo could have had a go and I would still be here for the toum not the art. This rich, silky, pungent garlic sauce is not only incredible it is free, which spins the Secretary into another dimension. She orders more immediately and continues her frenzied flat bread jabbing.

We order up big. Crisp, vinegary pickles entertain the Tin Lid for a while, but he is soon more intrigued by the woman behind us who is wearing a burqa and her little girl, peeking out curiously from the cool depths of her hijab. They seem as intrigued by his flaxen locks and petrol blue eyes and the kids are soon flicking fatoush at each other, shrieking with laughter. The slightly-smoked baba ganoush is lapped up with hot bread and salty-sweet salad and charred chicken caked in garlic and spice has an earthy glory that sates us.

Picking coffee grounds from my teeth as we leave, in the chintzy depths of a tat shop I unearth a plaster cast Ned Kelly umbrella stand and a full-size BPA-free American Indian, while the Secretary has stopped to peruse the McDonalds halal menu. Then there is Fadi’s, a beauty salon with a curiously confused message. Splashed across the front of the glass windows and doors is an image of sublime Nordic beauty, a perfection of blonde-ness with no hint of the cultural norm that exists here.

I cannot understand why this paragon of waxen beauty would be something the community might covet. Certainly it is a striking image, a visceral beauty-slap, but it is far removed from the cloaked, cloistered faces I see here.

On the door the sign reads:

Private Room for Scarved Women Available

Beneath the scarves and pins and rules, behind closed doors and in private rooms there is a different life, an untrammeled existence in which blonde beauty might be the norm. It is a life I am sad I am not privy to.

We are warned not to drive down Telopea Street. From a distance this run-of-the-mill street has all the trimmings of suburbia, from Hills hoists flying stained singlets and scabby verges, to the car wreck plastered with neon removal notices, devoid of dignity and wheels. Mature trees provide some shade but the whole place has a sunburnt look, gardens abandoned for the cool of the air-con inside. We slink a little closer. Still suburban. Not quite ‘butter-wouldn’t-melt’, but unremarkable none the same.

But then the secretary goes quiet. Strangely quiet. She whispers words to me, plucked from chilling media reports; random killing; stabbed to death because he went to the wrong house on his way to a birthday party; synonymous with gangs, shootings and dawn raids; Moustapha Dib; “what the fuck you looking at?” “I just clicked. Fucking Asian deserved it”; Edward Lee; RIP.

We drive away without a backward glance, eyes on the similarly unremarkable road ahead of us.

Auburn’s got my back

In an effort-soaked quest to stick curious fingers in Sydney’s darkest recesses I find myself rifling through her secrets, tiny sparkling gems of Australiana my prize.

Equipped with an obliging stub of pencil, a crumpled notepad scoured with unintelligible marks, the tin lid (on occasion) and my trusty secretary, her aura of advice billowing gently, I am armed with inspiration and a tousled map from 1974.

As the crow flies, Auburn’s got my back, standing firm at the ever-shifting front between east and west. Just a dead-man’s hand from Rookwood, calm in the lee of the snarled western city arteries, Auburn is named after Oliver Goldsmith’s poem The Deserted Village, which describes the English version as the “loveliest village of the plain”. 

First impressions are less kind. No plains. No villages. But the threads of humanity have woven an exquisite pattern here, a tapestry of colour, creed and custom that sparks life into the air around me. I know that feeling. It’s the feeling of being able to breathe life, taste life and touch life in a single sensory moment.

The scent of sharp, earthy coffee snaps around my nose, fresh mint, cigarettes and scorched meats smear together in a smoky pall and the streets thrum with noise. Old men cluster around tables laden with thimble-full glasses stained with grounds, their prayer beads jostled in time with the conversation; a giggle of head-scarved girls peeps out from a milk-bar intent on attracting the boys’ attention; and statuesque African women, the bodies and hair swathed in peacock-bright tribal print, are silently, strikingly, beautiful. Joining the throng we eat and drink:

and jolted with caffeine spin out further into the streets. Our search is over before it has begun: the secretary, exhibiting a distinctly un-secretary-like intent, has barrelled into the Hot Sale furniture warehouse and is enthroned upon a glam-rock bed ensemble from the late 1970s. A quick flick of the peripherals and it is clear that we are in the heart of Australiana. Plasticky covers crackle with promise, shiny pvc glimmers in the dust and the air is stained with nostalgia:

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Glam rock bed throne

Nostalgia mirror

Nearby a jewellery shop is gilded in light, the bright glint of yellow gold visible from a distance. Invited to “look, try” this is as close as I get:

All that glitters...

Though closer inspection was required for this message, a homily I am sad I cannot understand:

Cursive beauty

Turkish, Syrian, Lebanese, Vietnamese, Chinese, Somali, Bosnian, Iraqi, Iranian, Afghani, Pakistani and Sudanese communities call Auburn home and the taste of these cultures is rich and diverse. Cardamom, clove and cinnamon marries with the crisp sourness of cherries and delicate rosewater. Rank meat sweats in the open, unidentified greens are an array of shades from Persian to pistachio and the aromatic elegance of earl grey tea swirls in the mix. In a deliciously retro supermarket shelves of products line up for inspection and include these such childhood stalwarts:

Gima supermarket

While the Wing Fat Meat Market spruiked lesser known fare:

In this Persian inspired wonderland complete with accents of Middle-Eastern devotion, Asian diligence and African pride, the backstreets tell a different story. A lost space between the comforting human chaos of the strip and the genuine peace of the burbs, the roads we found all lead to the highway and were teeming with lost 4WDs.  Here there are jargon-juggled “medium-density housing solutions”, tired facades and stereotypes. Sheets stretched taught across windows are poor substitutes for curtains:

This is another Australiana, borne of necessity. It is a suburban paradise choked in skeins of diesel and tangled in expectation. A world of tacky stereotypes and wary glances, the rumble of our fast-paced world is just metres away, belching, farting and stinking. Residential backstreets should be peaceful, full of the sound of children laughing, their indulgent parents watching from the step – this a modern suburbia that challenges its very self, encroached by storming six-lane highways, shopping malls and strip lights.

Yet I left Auburn with a bright smile courtesy of this,

a monument to the weatherboard revolution of the 1920s, wishing well front and centre; and this:

a poor-man’s mansion with a shroud of shade.

Auburn is a surprise. Abayas abound and I sense my alienation from a culture I am yet to understand in full, yet I am made so welcome and the language of the streets is hypnotic, the soft cadence of sofra, burke, baba fuat, birfazla enveloping me in another world.

I will be pursuing my secretary for the following expenses:

Mountain tea: $2.70
Earl grey tea (in tin): $2.40
Cool op-shop shoes: $2
Sour cherry juice:  $1.50
An almost excessive yet utterly delicious lunch: $12

In search of Australiana…

My attorney advised me to take a break. Forget about some stuff. Cut loose. Take the baby.

So I did. Packed up, shipped out, left town trailing an 18-month old tin lid, the cowboy and a litany of broken promises, the most significant of which was to return (with the baby).

I taste freedom on the breeze, a salty breath of release, and the smell of unleaded brings on a headache to mark the moment.

Our steed is a 6WD ex-Hammersley Iron fire truck called Black Betty; once rusting disconsolately in Kalgoorlie, she is now 4.8 tonnes of rolling stock, a flatbed loaded high with our travelling home, a growling bitch yip-yipping with the call of the road.

Our journey into the hinterland to prove a point about good coffee only existing in the metropolis starts here. It is the search for Australiana, the hunt for all things bogan and the heart and soul of this wide brown land.

(Note to self. When planning far-reaching escapes in search of bodgy Australiana consider options well. Avoca Beach, it turns out, is not a promising start.)

 Over and out.

Black Betty