Date night

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Once upon a time, a trance-party princess skittered gleefully through the just lightening streets of London, tangles of lasciviousness and spilt beer sticky in her wake. Dawn had heralded ejection from the womb-warm pulse of an underground club and goddammit she needed a coffee. Bar Italia was a welcome embrace, breathing the rich scent of peppery coffee, spilt sugar, woodbines and raucous laughter into her life.

Described as a “Soho grotto, which keeps safe the city’s sacred heart… an idyll in a concrete jungle corroded by a vacuous modernity” (Huffington Post), Bar Italia is proudly family owned – since 1949 – and is a mecca for the tired, the wired, the thirsty and the dispossessed, a blazing beacon of London’s nighttime economy.

Perhaps Bar Italia is code for cool, but it turns out that The Cowboy has been taking his dates to Norton Street’s Bar Italia for countless years. And while this dogged diner is no late-night London hero, it is as loved by the masses.

It’s also worth pointing out that I was the final date and will remain so (if he values his mascarpone)…

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These days, hot dates include the Tin Lid, who has come prepared with gelato-destroying ninja positions,

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A cash-only, chipped-paint, crazy-paving lino’ed institution amidst the chrome and Chinotto of Leichhardt, Bar Italia is set like a derelict molar in a snicker of shiny teeth. But that is what makes it so irresistible – like meat cooked in wine and cream, hot whisky, cold soup and wagon wheels – nostalgia seeping from the cracks in the walls, the past staunchly refusing to pass.

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A sign reads No Soy Light or Skim Milk; another spells out the specials, complete with pink sauce:

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The queue we join snakes in agitation from the till, the Bar already full of just-courting couples and old flames, Italian mobsters, sequinned queens, families with frills of kids who chirp and bicker, and a bag lady, complete with bags. Long-uncool agitprop, free postcards and Jimmy Cliff posters peer down on heads bent over steaming bowls of pasta, chatter streaming from smiling lips, the air fugged with garlicky steam.

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First opened in 1952, when life was simpler, Bar Italia caters to a loyal crowd that demands nothing more than no nonsense trattoria fare.

We ordered the same as always, the spicy salty-sweet tang of puttanesca for her, creamy green al frumuto for him, with a tumble of hot chips for the kiddo. There is much debate about the avocado dish the Cowboy demands, stripped as it has been from the menu. Did it ever exist? Has he lost his mind? The barista calmly writes down what can be remembered and shushes us to our seats.

Utilitarian school dinner-esque meals arrive in minutes, as if by ESP, with seemingly no identification where the diner is seated required by harried damp-haired staff.

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Slouched against landscaped stucco, an acre of badly written braille, brandishing all the implements you could need, we are silenced.

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A print of The Last Supper looks down benignly from one wall, a flatscreen howls on mute from the other; both are ignored. Diners are turned over like cheap steak, a steady thrum through a squeaking door. Turbulents of air bully for space, the cold front from the street at war with the hot and sultry steam from the kitchen.

A squabble of council workers in high vis head for the garden out the back. In summer it is a foodies romp, lush with plants and lingering smoke, the clatter of catering hushed by soft warm air. Tonight, it is wind riven and bleak, though the crowds are here too, clustered behind the plastic curtains:

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A lady glides by in blunnies, thick socks and a gypsy skirt: she knows what she wants, a bowl of melanzane alla parmigiana and to be left alone. A curt ‘grazie’ is all she utters – the rest is already understood.

The Cowboy becomes agitated towards the end of his tagliatelle, a thought clearly forming in his mind. It is the Tiramisu Thought, widely acknowledged as being largely stultifying until dealt with. And it goes like this:

I wonder if there’s enough tiramisu? I mean, the place is packed… what if it’s run out? I ate quickly: I got here early: surely they have to have enough? Right? Anyone? The queue is getting longer…

His attention is drawn to the softly spoken melee at the till: an old fella with a determined gaze is asking for a profiterole:

Hey, mate, you want this one? It’s the best one, it’s got tiramisu all over it! You get two dessert for the price of one eh?!… You don’t want that one? That special one? You no want tiramisu? What you mean?

OK, OK, now just a coffee, no worries mate, I can do.

(silence)

What, you want me to guess what sorta coffee you want too?

(insert vociferous Italian cursing and the sort of gesticulation that would put a flaming orangutan to shame)

The Cowboy springs into action and trots up to the discarded tiramisu, retrieving it and cradling it lovingly in his arms until it is polite to devour it. The Tin Lid insists on gelato. Tiramisu gelato…

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And I am content to wander through the guts of the place, and breathe in the last sixty-three years. Garlic, Vittoria, Napoli, biscotti, and burnt sugar, it is the scent of a loud, passionate and provincial dedication to rustic Italian cooking, and it is smeared generously through the air.

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And having waged war with the gelato and won, the Tin Lid executes a series of winning ninja moves before we head home in the cold, bellies brimming.

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Mean machines and chicky babes

With smoke pluming in lewd balloons from every steel orifice, the fetid flowery sweetness of methanol – a lingering promise of speed – and a vitriolic V8 Armageddon, a battle of sound that clangs righteously as it rides the cooling air, the speedway tangles itself into my subconscious. It feeds a memory as liquor feeds oblivion, of hot nights in a faraway land, my Dad and his mates drinking tinnies beneath the bonnet of a hot rod, 10CC bawling from the 8-track stereo at full bore.

The cowboy’s got the scent too… he knows his way around these events. No matter the class or race, he comes from a long line of hot-rodders, spending taper-thin tar-filled days on the quarter-mile at Eastern Creek, racing, rigging and living life at high velocity, a shortened diff snug between his thighs.

The cowboy's old man and his trusty steed

The cowboy’s old man and his trusty steed

It’s as if we have been called in, slotting seamlessly into a world of metal and fuel, rubber and gas…

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Arriving in Broome from the dirt tracks of the Kimberley, we have been doing a lot of this:

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and plenty of that:

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Our playground is a turquoise coastline fringed in Pindan – the rust red dirt of the Kimberley – sunbaked days knee-deep in rockpools, hot chips, cold beer and salty nights beneath endless skies bivouacked around the fire.

But let’s be honest, in the face of such wholesome wholesomeness the consensus was that a little balance was in order…

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The speedway is the abject celebration of man vs machine, the blast of speed, hollering testosterone, the wanton release and the final ignominy of being dragged through the dirt on a chain. It sparks with cultural references, alight with the high-pitched rumble of AC/DC, of Swan in crumply cans, of hot fireys dolled up in neon reflectives and a full face of makeup – it is the speedway after all…

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Barb’s running commentary crests the whump whump of the centrifugal track, spruiking everything from Auto One to Clarke Rubber, the bain-marie and Broome Cemetary; I can’t help but question if there is a correlation.

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She is excited: rapid-fire annunciation spills from the tannoy and the fireys start making a beeline for the track, schnitzy burgers tucked into deep pockets.

The throaty roar of a V8 snaps our heads up in anticipation and the tension is palpable. The dirt puffs into the air, a choking fog that adds taste to the putrid gas of the burnout cloud that hovers balefully over the track…

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Shiny wrecks howl around the track bucking and butting each other in a parody of Darwinism – here, only the headlong maniacs with ‘real good drivin’ skills, eh?’ and a car that doesn’t fold into pieces survive. Little tuckers are next, knee-high rev-heads slotted into souped-up billycarts that peel in and out of formation on the quarter track, proud parents jockeying for position on the hurricane fencing.

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The Tin Lid has wangled a bright blue Zoopa Doopa and stops his wholesale demolition of it to tell me the bain-marie lady told him the family meal includes:

  • 2 x cheeseburgers
  • 2 x chips
  • 2 x nuggets (of unknown origin)
  • 2 x Zoopa Doopas

We’ll be having hot chips then and pretending we are not really a family…

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A toddler bowls up and down the concrete in the shed pushing a Tonka. He is utterly absorbed, oblivious to the tonnes of metal being flogged through the dirt just metres away, fire flashing from bellies, smoke pouring from arseholes…

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There are tin lids on the prowl everywhere, from nappy-straddling tots to leering teens, stalking the lolly jar while sizing up the beer fridges and each other:

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Ours, though, is more interested in second place and the misappropriation of a Double Diggity Dog cooker. This leads to a confusing moment as I realise he has no idea what a ‘dimmy simmy’ is. This is quickly rectified, in theory rather than in practice.

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The official (the one calling the shots, or at least the tow truck) up there in the box with Barb, is wrapped in shiny black, a motorcross-hatcheted cap pulled down tight over black wraparound sunnies and a mid-shoulder length grey rat’s tail. His shirt reads: Official. 2013. Perhaps the other one is in the wash? Or maybe he’s just a fan of Barb.

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It is he, however, who announces the lolly storm. Pint-sized punters pour towards the track as a lumbering effie – the rescue truck – barrels onto centre-stage. From the back of the tray a couple of young fellas are hurling white paper lolly bags into the crowd that seethes and boils in anticipation, breaking left to curl around the track in hot pursuit. The Tin Lid can hardly believe his little sugared-up eyes and beseeches the Cowboy to assist him. The reward is greater that he could imagine, two paper bags crammed with teeth and milk bottles and snakes, and a stolen moment to gorge himself.

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As the rumble dies down, the children suddenly quiet, Burnout Billy is back. For Billy, the aim is to spin doughnuts in his low-slung not-ever-gonna-be-street-legal mean machine –in a fetching shade of lime – until the tyre pops. Billy is a legend though, and the crowd chew on his smoke as they bellow him on. He gets not one but two, and drags his whooping arse out through the dirt on sparking rims.

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The speedway has a viscous seam of Australiana pulsing through it. As the big guns roll out, throbbing to a bass line that can be heard 10kms away, mobs of spectators flock to their eskies atop utes and trucks decked out in lawn furniture, and parked trackside for your viewing pleasure. This is a passion, a shared love with something for everyone. Kids roam free in the dark, high on lollies, adults lounge in precise formation and the sharp whine of speed continues deep into the night.

Shrouded in smoke, the speedway is a neon-coated sugar-filled beery wonderland.

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In search of Australiana…

My attorney advised me to take a break. Forget about some stuff. Cut loose. Take the baby.

So I did. Packed up, shipped out, left town trailing an 18-month old tin lid, the cowboy and a litany of broken promises, the most significant of which was to return (with the baby).

I taste freedom on the breeze, a salty breath of release, and the smell of unleaded brings on a headache to mark the moment.

Our steed is a 6WD ex-Hammersley Iron fire truck called Black Betty; once rusting disconsolately in Kalgoorlie, she is now 4.8 tonnes of rolling stock, a flatbed loaded high with our travelling home, a growling bitch yip-yipping with the call of the road.

Our journey into the hinterland to prove a point about good coffee only existing in the metropolis starts here. It is the search for Australiana, the hunt for all things bogan and the heart and soul of this wide brown land.

(Note to self. When planning far-reaching escapes in search of bodgy Australiana consider options well. Avoca Beach, it turns out, is not a promising start.)

 Over and out.

Black Betty