First landing

photo 1 (9)

I am in thrall to the sand, salt and sun ratio that the powdery fringes of our world promise, toes scrinching in the cool damp of buried seawater, the sluice of surf over the break, and a horizon that sidles up to the sky. And while I have a deep appreciation for the finest beaches in the world – mirror-clear waters in the Maldives, the raw savagery of Fraser Island’s ragged coast and the scented chic of the Côte d’Azur – it is the schleppy beaches of the world I cherish.

photo 2 (7)

A sorry excuse for a strip of sand, Power Station Beach frills its way along the edge of Lamma Island, itself an outlying island of Hong Kong. It was once my home, literally. I slept in a teepee above the tideline and woke each morning to the belch and squeal of hot air rising in monolithic cement chambers, and the warble of red-throated loons as they paddled off-shore. There was a smear of sulphur in the air sometimes, which collided gracefully with saltwater and early morning char siu bao.

Yarra Beach, which skims the edge of one of Sydney’s least known and smallest suburbs, Phillip Bay – La Perouse’s jerry-built neighbour – also fits the bill faultlessly. It features a container terminal squat at one end, sand that may contain dead bodies and a distinct case of multiple personality disorder.

photo 1photo 5

It’s our favourite place – me, the Tin Lid and the Kelpie – even on a wintry day that scours vapourised breath from chapped lips. It stretches away from the eye in a leisurely curl, deep anchorage in its embrace. At one end, Port Botany Transfer Station and container terminal hulk-in, heavy; towering stands of metal boxes await the colossal grip of the lifting crane, and tiny stevedores scurry like ants from a height, busy in their endeavours.

photo 1

Sydney Ports Corporation

Peering in close, to get a good view of the action, blighted headstones line the ridge, the residents of the Eastern Suburbs Memorial Park taking best advantage of this ‘forever’ spot.

photo 2

At the other end is the splintered timber and plastic veneer of the sailing club, blinking with pokies and bickered at by bookies.

photo 1

I think that might be part of the attraction, the hustle of activity on a stretch of sand that stands sentinel to time. Ocean leviathans steam into port honking and wallowing, their steel guts either laden or set to gorge on the gargantuan consumerist container picnic that awaits them. The dead on their last journey, as they shift and sift through the sand; yachties riding their charges over trough and peak and returning, sodden, to the sailing club for a cold schooner and hot chips; the burning rumble of the jets as they land and soar from Kingston Smith; and local dogs who howl and splash in joy, catching life in salty draughts on lagging tongues.

photo 1photo 3

Defined by Yarra Point and Bomborah Point, the Bay is a series of south-westerly swoops, unique in this east-facing city. At the height of summer, we head to the shade of some scrub at the southern tip; in winter, we get to luxuriate in its length, right up to the otherwise sun-baked perimeter, a concrete seawall beneath the steely gaze of Port Botany, its industrial choker.

The Tin Lid is agog at the plastic-bottle whirlpool churning in the eddies, and the Kelpie insists on dragging a tree wherever she goes. Ring-ins for the day include a bestie and her bottom-waggling charge, who hurl themselves into dune climbing with verve:

photo 3photo 1photo 4

Beyond the bend is Frenchman’s Bay (and La Perouse on the spit), considered culturally significant as the site of some of the earliest contacts between Europeans and Indigenous Australians, and it remains significant thanks to the survival of the archaeological remains of a nineteenth century Indigenous encampment and mission, the continued presence of the La Perouse Aboriginal Community and the oral tradition and social identity associated with this history of occupation.

But that is another story.

Today, we are here, ensconced in a world of salt spray and cool sand, a blustery wind bemoaning our intransigence.

photo 3photo 3photo 1

This was where Governor Phillip first strode ashore; here on 18th January 1788, the Indigenous population of Yarra directed the be-hatted Arthur to a fresh water source, Bunnerong Creek, which flows between Frenchman’s and the Bay.

sydneylivingmuseums.com.au

sydneylivingmuseums.com.au

It is believed that Yarra means flowing, originating from this water source. With resoundingly narcissistic flair, Admiral Arthur quickly renamed the place Phillip Bay, despite the lack of ‘lush meadows’ promised by Joseph Banks. In fact, he was quick to decree that Yarra was ‘unsuitable for habitation’. And the meadows, it turns out, were round the corner at Port Jackson, which is where they headed, more demand for the HMS Supply…

No-one knows why Phillip’s name was kept for the suburb but dropped for the Bay, but Yarra will always be Yarra to us, as I suspect it is for the Aboriginal community here, who have successfully claimed Native Title for the Yarra Bay headland and Yarra House. But that’s part of that other story…

photo 3photo 5

As the shadows stretch we head away from the Bay, promising ourselves a longer adventure next time. The Tin Lid is intrigued by Serious Stuff, complete with it’s half-drunk bottle of claret, and the bottom-waggler is intent on discarded hot chips, to his mother and the local gull’s dismay.

photo 3photo 2photo 1photo 5photo 2

The Kelpie yelps at the prospect of leaving, but she is soon snoring, dreaming of slung sticks and foamy surf that she snaps at in her sleep.

photo

That other story, with its 16′ skiffs, haunted homes and secret coves, awaits our return.

photo 2photo 3

River Queens

Forever in debt to the rapacious canine demands of The Kelpie, the newest member of the mob, I find myself in the weedy gutters of anonymous backstreets being tugged towards the park – any park. With noses snuffling, ears twitching and eyes bright with the expectation of rotting treasure, she and I explore our daily date with dedication…

photo (63)

On a lip of land that juts above a sulky river was once a castellated Victorian Gothic mansion, a queen sporting a regal demeanour over her 130-acre domain. The Warren, so called for the tumbling colonies of rabbits bred on the estate to be hunted, was home to wool merchant and politician Thomas Holt in 1864; a prestigiously leafy estate overlooking the Cooks River, she wore her grandeur as freshly-combed ermine.

photo 3photo 2

Thirty bedrooms, a dining room to seat 50, art gallery, bathing sheds and Turkish baths, and located in the heart of riverside Marrickville, The Warren was a real-estate’s wet dream. Today, little remains, though there is a distinct sense of propriety, of sweeping capes and walking canes, of parasols and rum at dusk, as the bats flit silently by.

The Warren may be long gone, but it still exerts a powerful fascination. Residents, both old and new, often refer to their locality as The Warren, and its presence can be sensed in many ways.

Ferncourt School is built from the stone of The Warren’s demolished stables. On the banks of Cooks River, hidden behind concrete, are the remains of The Warren’s burial vaults, and a large amount of sandstone… has been recycled into retaining walls and kerbs and gutters throughout the suburb.

                                                               dictionaryofsydney.org

Two towers, originally piers from the back of the building, stand sentinel on Richardson’s Lookout in Holt’s Crescent in South Marrickville, a spindly curve of street that follows the swell of the river. Cobblestones rumble beneath ancient figs, a memory of a driveway perhaps, and the ghosts of garden paths linger, lined with sandstone flags worn soft with time.

photo 2photo 1photo 4photo 3photo 2

Gazing into the distance you can imagine languid lunches on the lawns, the clip of a sulky bearing well-dressed guests and the breezy air of entitlement.

And while the castle was demolished in 1919 (after hosting an order of Carmelite nuns and an artillery training camp during the First World War), the estate remains closely guarded by its feudal community. Despite the glaring absence of the original mansion, a hollow lost to time, the glory of Holt’s domain is steeped in a run of ageing river queens moored to the sludgy banks of the Cooks River.

photo 5photo 4

With their toes in the damp, mottled faces staring resolutely uphill, the grand dames of Thornley Street would once have been landscaped gardens. In a later incarnations, they were the boom-time beauties, Edwardian weatherboarders and Californian bungalows of the late 1800s, turn of the century and ’20s respectively, sought after seclusion perched high above the banks.

photo 5photo 5photo 2photo 5photo 3

These landlubbers have time sequestered in their dappled flanks, weary memories surging like tidemarks in the rising damp. Paint peels like sunburnt skin, raw patches peeking out from beneath, fly-screened verandahs scratch in the heat, and pastel fibro fades in the glare.

photo 1photo 4photo 3photo 3

Their captains are invariably polite yet reserved, wary of too much attention. Lola and Luigi, deep in conversation over the fly spray, are happy to pose for a shot, asking; “why you want love? You like us old peoples?” Well, yes. I do. What with your stories and insight, life mapped on your faces like sea charts speckled with salt. Further along, an old fella caresses the tarp tied taut around his late ’80s Mazda; “Got a few of ’em love, great motors. Bloke next door hates ’em, says they is an eyesore. But his whole place is a bit on the nose if y’ask me…”

photo 1photo 2

The bush thrives here, in this slice of suburbia; the river breeds it in swathes along her banks; mangrove roots thick with mud, sandstone cliffs that create shadows of cool, banksia, acacia and mulga ferns, speargrass, she oaks and prickly-leaved paperbarks that line walkways yipping with dogs on leads and kids wobbly on their wheels.

photo 2photo 1photo 4photo 5photo 5photo 2photo 5photo 1

Between the faded faces and gentrified glitz of Thornley Street are cool diving driveways that strip down to the water hundreds of metres below, asbestos afterthoughts – home to tarped cars and garden tools – clinging to them like carbuncles.

photo 1photo 4

It is like looking down an old woman’s gullet, a vaudeville trick that vilifies. Beyond the tidy-town streetscape, straggly ends trail to crippled Colourbond fences that lounge near the water’s muddy flanks, bereft of bilges. Flood marks are a permanent stain, and veggie patches are overrun with natives.

photo 4photo 4photo 3photo 1

Like decaying paddleboats hauled high on their hitches, the river queens slump slowly into their watery graves, an expression of resigned implacability on their tired faces.

Yet while the river continues to inveigle her prey, inch by sodden inch, The Warren Estate persists with its page-one status in the brochures of local real estates. It is the ever-enduring wet-dream…

The Kelpie and I walk on, the river warbling her sordid siren song…

photo 4photo 3photo 3