Of steel and salt

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Renegade and tumbledown, Newcastle Ocean Baths are a still life in concrete and rust, skeletal girders and pockmarked slabs slick with the patina of summer: ice-cream wrappers wrinkle and skid bombing gracelessly into the depths, cream is smeared on lips and hips, its oily sheen rainbowing the water, and drifts of sand and chicken salt cling to the softest part of toes.

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An echo of a simpler life, the utilitarian beauty of the baths is scorched, degraded and rusting alive, concrete cancer a virulent viral decimator. Band-Aids swarm the drains, bawling nanas corral their ratbag charges with promises of sweaty pocket-fluffed lollies, and the lifeguards are snoozing in splintered towers.

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Clouded green shadows entice the Tin Lid and his besties in, a concrete bollard chained to the depths their end game. Snorkelled up, riots of high-vis swimmers crowd the ragged edges, soft skin splitting and weeping. Bombing, howling, stalking and raging with delight, they trawl through sun-stretched days, exposed hides pinking in delight.

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Amid a haze of saltwater, Winnie Blues and tea in polystyrene cups, ice-cream-crusted piccanins barrel into crumpled mothers endlessly searching for lost thing, while goggles get smashed…

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The cool depths of this one-time deco darling are a magnet, drawing swimmers, lovers, pirates, hippie-chicks with salt-crusted locks and old men who gamble using long-dead crab carcasses. It is a microcosm of life at the water’s edge and the epitome of cool relief on a blistering day.

Newcastle MirageShane Williams

The baths and pavilion crest the edge of the world on a wave-cut platform, a lifeline between ocean and earth. Opened in 1922, at one time this was a sparkling jewel in Newcastle’s mercantile crown. Today, authorities bluster and frown, conservation vs gentrification an epic battle of wills. The Young Mariner’s Pool was carved out of the stone for the ‘tinies’ in 1937 but was so popular with all ages it had to be extended. Today the Canoe Pool is a glorious knee-deep wonderland, crusted edges, flaky form and brimming with bodies.

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A turquoise geometry defines the business end of the baths, numbered pedestals queuing for attention, bleachers bleaching in shards of light, spectators blooming like algae on wet rocks when the races are on.

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Beyond, however, is the land of big rollers, endless pounding walls of water that drench and scour. Storm drains peel from fragments of land with bite-size jags, spewing water in effervescent efficiency, and ocean crevasses swallow your mind whole, a one-way trip to Narnia bathed in acid-green kelp.

Here council approved ‘protection from the elements’ dissolves pitifully into the raw fabric of the earth, studded as it is with razor-sharp rock, staunch in the face of crashing surf, sluicing tides and the stink of decaying flesh. This is an entirely new reality, and one the children, unsurprisingly, take to with alacrity…

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This is the land of trawlermen and surfers, back-flipping teens on the hunt for fresh-fleshed girls and a mob fishing for flatties off sea-grass rocks. Memories are enshrined, shrines memoried, and shadows cast long.

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Roachy, La Punk, the Waterman and the Cowrie Hole boys send their love.

Frilled out into the endless blue, this scratch of land holds endless adventure, roaring with sound and spray. Its depths are watery homes glanced through glass, its heights cumulus nimbus curls.

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And it is home, for a short while, a reminiscence of childhood, the immediacy of now palpable.

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Time feels inert as if stolen from another generation and laced with the narrative of a simpler story, a no-frills nuance on reality. It offers up a borrowed sense of freedom while sluicing free the anxiety and exhaustion that shackles itself to us all, the aggressive silent partner in this modern-day marriage.

With crabs clutched in salty hands, tangles of hair sucked dry, we straggle home as the light fades, the only recourse hot chips beneath a mantle of cawing gulls and teenage attitude.

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A timeless endeavour

It’s mid-January-duco-stripping-red-raw-trucker’s-tan-Holden-seats-that-peel-thighs-as-an-ape-undoes-a-banana-HOT. The tar ripples, snaking into the distance like a strap of liquorice that writhes indecently in the sun, and while I cope admirably with such adversity (a packet of frozen peas between now steaming knees), cold water is called for.

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In this wasted fringe of the city, once the site of fellmongers yards and slaughter works and still shrouded in heavy industry – its legacy of contamination worn like a muzzle –wharfies and stevedores rumble in gangs in fluoro, a fine mist of av-gas sprinkles burning shoulders and the sun bakes an oily blackness deeper into the earth. And while Foreshore Beach is just moments away from the wreckers I am hunting through for hot-to-the-touch Kingswood parts, its sand/ sea/ sun = beach classification got cancelled a while back.

The grease monkey points west: “Best get up there doll, it’s cool and wet”. Not entirely sure I understand what he is talking about I enquire further – he goes on to describe a fertile sanctuary: “Honest love, we all get up there after a coldie at the end of the day…”

Almost louche in its reclining glory, the Botany Aquatic Centre lounges amid a sea of city green, hidden from the horror of the stained industry at the bay’s edge. With a Soviet-style entrance and solid concrete floor the centre is a throwback to a simpler time, and a paean to 70s swimming culture.

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It inadvertently celebrates the halcyon days of summers past, with sole-burning bricks that steam as the drips dry, concrete fissures that sprout lurid life, springy grass sprinkled with bindis, a Peters-ice-cream-blue kiosk doing a roaring trade in schitzies and hot chips, drumsticks and zoopa doopas – all drizzled in utilitarian institutionalisation for good measure. Can’t be getting out of hand now.

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This is a world steeped in blue and green, the surf and turf of the colour palette, with flecks of neon and soda adorning skin from chocolate to Pepto-Bismol pink in delicious contrast. Pools are lapped by grass while ancient paperbarks dip their toes in the damp, and shady groves curl out tendrils of cool, home to sprawls of families their boundaries littered with picnics, floaties and striped towels that flak and flutter in the breeze.

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I follow the trawl of tip turkeys that sidle and stalk for Jatz and hot chips, red sauce like blood on their beaks. They lead me to my plastic moulded nirvana, a place that is maudlin in its search for a frosted glass of tequila sunrise…

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Umbrellas crowd excitedly, splashes of tango, turquoise and out-of-fashion blue. They are the stars of the show, selflessly casting pockets of shade onto passing birds and their reluctant sidekicks, chained to them to prevent ‘an incident’:

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There is a rowdy scrabble of youth, from goggle-eyed babes to splashing small fry who squeak and giggle, tweens that tumble and preen, and teens closely monitoring the ride of hi-cut swimmers and low-slung boardies. They are hunting. Mostly each other.

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Beads of salty water roll from goosebumped skin and the wet bricks sweat. The kids’ pool is like a chlorinated Lord of the Flies, piggy howling in the shadows and ripe fruit smeared along the edge. A scrawny, wiry woman with a litter of kids still suckling her home-brewed homilies entreats Lozza to “ger outta the water, youse getting wrinkles!” Her age-rippled back reads Live Not to Lose and she is as yet unaware of the rusting hose coiled menacingly behind her…

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Shrouded women lead their lycra’d progeny to the water’s edge but resist the temptation, the sedate demeanour of their darkened attire balanced by a swooping cursive dialect, non-stop chatter and bawdy laughter: Asra and her toes again…

Stained creme caramel coloured brick blocks squat around the largest expanse of water, bleachers climbing high with a ‘competitive edge’. The lane markers are rolled up tight, despite the best machinations of a toddler intent on their release, and the bunting droops – it’s been a busy day.

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Credit: Awol Monk.

 

A lifeguard trundles past on rubbish duty, a message on his back reading; WHERE IS YOUR CHILD?

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I recover quickly, realising he doesn’t mean mine, and that the Tin Lid is safely ensconced in Kindy. He can, however, shed no light on what this is:

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An older woman sporting a natty zebra one-piece, straw hat with a knitted brim band and a jaunty ankle flick wanders through the generations, perusing life. She stops for a chat: Beryl’s a local, been coming here for ‘too many years my dear. But it’s always the same. It’s real and genuine and honest. Now, you enjoy your little slice love. See you next time, I’m off to the waterslide…”

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Unbound palms sprout and seed with abandon at the entrance to the water slide, indicative perhaps of the jungle that awaits. Harassed lifeguards corral the mob in human sale yards that get sprayed with salt each time another cork pops from the pipe, yelling. On and on hot steaming skin is flushed through soupy water in sun-cracked tubes in a febrile ripple of sound, flumes spewing laughter and one-piece bum-wedgies.

Eyes closed, toes exposed, it surges over me, a sluice of a time past yet vividly of the now as cool drips of water sprinkle my exposed skin, courtesy of a cartwheeler as she spins past.

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An oasis is defined as a ‘fertile spot in a desert, where water is found amid the burning desert sands, a watering place’. Beyond the oil-streaked mirage out the back of the wreckers, I was led to my oasis by a grease monkey and an ibis. I just have to work out a way to thank them…